Wednesday, August 17, 2011

There Was A Maypole, But No Sign Of Sir Robert Walpole

Along the high embankment of a disused railway line
Which, thanks to Dr Beeching’s cruel cuts of nineteen sixty-three,
Is now a pleasant country walk, a procession of nine-
Teen Morris-Men danced out of the mist. They seemed to                      me

To be coming from a better, friendlier place
Than the rather unpleasant one we inhabited;
Each man had an open, smiling face.
Oh yes, I know for these chaps it’s just a hobby, said

By some to create a wholly bogus illusion of bucolic peace,
But when we heard the bells, and the pipes and tabors,
And then these men came dancing through the trees,
Oh, I knew they were really just our friends and neighbours,

Yet as they capered with their silly hats and sticks
And their gaily beribboned cuisses,
They were, as they performed their antic tricks,
A happy codicil to summer’s lease.



Tuesday, August 16, 2011

The Unheard Thunder Of A Great Cheese Eaten In Decent Footwear

I light my pipe, but I can’t touch the smoke.
Don’t speak of love, I just don’t have the nose.
You make me laugh? I just won’t see the joke.
Don’t touch me there – however hard you poke,
My eyes no longer smell. The summer rose

Is silent as the grave I cannot hear,
And winter’s cold is mute as my dead hand.
I can no longer feel the noise of beer
Because I find time’s finger in my ear,
And winter’s nose sees snow upon my land.

I’ve lost my touch for wine and other booze.
I can no longer see the summer’s breeze.
When I was a young man, I could smell the blues,
But now I have forgot the taste of shoes.
So take them from my mouth; I’ve lost my ear for cheese.



It’s A Shame To Waste Good Food

Frances Beasley and her husband, Jim,
Were extremely poor and needy.  She was needier than him,
Having only one arm and no ears,
Which had been cut off by a ventriloquist with a pair of shears.
Like many others in similar situations, they lived bleak
And unpleasant lives, and were vulnerable and weak.

David Hardcastle set up a charity, supposedly to provide                       succour
For these people, amassing large amounts of tucker
And – this is what the made the splash
In The Observer – considerable quantities of cash.

“Look what I’ve got for you, Mrs Beasley,” he’d tease,
Showing her fifty-pound notes and the most succulent pease
Pudding with faggots ever to be seen on show.
“Ooh, can I eat it now?” she begged.  He laughed and said, “No.”
“And you can’t have the money neither, you old bag,” he grinned,
“It’s going towards a holiday for me in that Spanish resort which         is twinned
“With Walton-on-the-Naze, you know the place.”
And there was such a terrible look of disappointment on Mrs               Beasley’s face.

“Could I just have a glass of water, please?” begged Mrs Beasley’s        aunt.
Hardcastle looked down at her, kneed her in the groin and said,          “No, you can’t!”
Mr Beasley’s grandfather was starving and sorely craved a                   crumb
Saying, “Not so fast, you blighter, I’ll have that, thank you very             much!”
And grabbed a stale loaf from the dustbin and held it between             forefinger and thumb
But Hardcastle snatched it from him and kicked away his crutch,
Saying, “Not so fast, you blighter, I’ll have that, thank you very             much!” 

And so in the due course of time, Hardcastle grew rich and fat,
The Beasleys groaned and spluttered, cramped inside a pauper’s      flat
Which – Hardcastle announced in The Washington Post – he was      bent on
Steadily over the coming months increasing the exorbitant rent           on.

Other men have been just as dastardly as Dave
But few have killed a whole family and danced upon their grave.



To A Loved One Abused On Facebook

The tedium is our shared and constant solace
(Your page is not a fine or private place), 
My memories are a failure to forget;
I never tire of looking at your face.
 
McLuhan didn't have this shit in mind
(The finest disinfectant is the sun)
When he said the medium was the message.
(Visitors to my website: 41).
 
The interface is a distorting lens
(As when you mean confound, you say confess);
My fury is imperfectly conveyed.   
We’re all alone - the medium is a mess.




We’re All A Bit Of A Marshmallow Up Here, I’m Afraid

Angry?  Sex and politics got your tongue?  Given cramp by the                  key
Proposals of the major parties?  Want to mutilate someone intimately? 
Slice-with-rage.com is the site for you.  Here we have links
To all forms of malicious bloodletting perpetrated by, on behalf of and,
Most pleasurably,
Against
Politicians of all races, genders and faiths. 
I particularly recommend “Insert that skewer, Gabriel” – both the original
Album track and the 45 rpm re-mix; each, in its distinctive way,
Celebrating fury against private parts with a view to public
Ownership.  Which particular politicians?  Which particular
Weltanschung, Walter?  Socialism: national
Or the left-cheek kind?  Conservatism with a small sea? 
Or might you be contemplating a voyage to Liberalism, Cap’n?
There are so many diseases, nurse, I fear my time is not long; so:
In keeping with the urgency, and bearing in mind this crunch,
Might I buy you lunch – with the expectation of a late afternoon
Not wasted in that hotel with a picture of a horse
Where the receptionist should be?  Yes, Mrs Malteaser,
I am talking about sex.  Do I need to spell it out any plainer?
Me: chappy.  You: bint.
Mine’s a chop with a sprig of mint.
I speak of men who have not left a print
Beside themselves, a twittering in the trees, a bird in the breeze,
A flood between the knees – men
Who, when roughness comes to coarseness,
Err on the side of steel wool.

In Finland, they embalm their politicians with vodka. In the Philippines,
They strangle them with shoe laces if they offend.
In the Seychelles, they are not sure what to do because there are so many
Other things to do – surfing, deep-sea diving, fellatio
And cooking.
In Germany, they make their politicians pay
By neglecting them.
But in the United States, they punish them
By electing them.





Breaking Wind

In days of yore they told it straight
And politics was not asked to wait
On courtesy.
Robust, direct and to the nerve
Were those whom we elected to serve
Our nation in imperial times
When sailors died for lack of limes
And life.
Indeed, what marked the fights
Of yesteryear, from knights
Chivalrous to men
Who fell in Ardennes,
Was malice, loathing, spite:
Politics was such a delight!

Now it’s “the honourable member”
Or “my honourable friend”.
Where has all the hatred gone?
Why did it have to end?

Once we had politics full of hate:
Oh, why – tell me why – was I born too late?





On The Abandoned Jetty

Why does this lighthouse guard the open marshes?
Who are those gulls? And tell me, what is that smell?
Where are the ships? What are those unheard shanties?
The fishermen have drowned and gone to hell.

The stink of fish lingers, long after the event.
The market hard has softened to a fen,
The harbour wall has fallen in the sea,
And all the stones have been picked up by men

For schools and churches and other essential buildings.
I daresay some went for barns and cowsheds,
Many of which have long since fallen down,
And a few may possibly be found in municipal flowerbeds.





Tuesday, August 9, 2011

The Confiscation

When love is stolen, pilgrims call it theft,
Their voyage interrupted by a crime, 
But when the Lord takes, he that is bereft
Finds consolation if he finds the time.
All pleasure is but let by worldly lease,
All things must pass, even the present tense,
The future perfect holds no lasting peace
And pain is purely Satan’s recompense.
The heart is unreliable; the mind
Is merely madness ordered; but the soul
Gives sacramental eyesight to the blind
Whose fragments faith and charity make whole.
     Thus happiness is borne by those who dream
     Of misery enjoyed, and love supreme.





Sunday, August 7, 2011

Yes, They Do

In the sinkhole hard beyond the spinney, 
Leeches slide up and gaze upon the ghosts
Of you and me.
 
The mud is still warm. Come and lie down
in the warm mud, my love.
You will see
 
How these annelids
Prey on small invertebrates
Which they eat whole.




Christmas Is Coming, The Puppy’s Getting Old

She endears herself to idle passers-by
By busying herself with personal things
– But everything is personal to her:
Her bite a kiss, her gormless bark a purr
And when she growls, it almost seems she sings
- If you judge not by the ear but by the eye. 


I unlock the door and see she’s gotten older.
Who wants an old puppy? Beyond the glass
The world’s as quiet as fish. Inside the store
The din’s insufferable. Hungry animals bore
Me to fury. I warn her: she’s out on her ass
If by New Year’s Day I haven’t sold her.

The people at the window cannot hear
The obscenities she mutters in her cage.
Great tumours grow from satisfying itches
And pretty pups turn into snarling bitches.
I follow her and lie about her age,
Bring down her price, ignore her yellow sneer. 



Things That Can’t Be Done

Shoes cannot manage the writing of a regular newspaper                        column; deadlines
Deter them and literacy is not their strong point.  Equally, W. F.           Deedes would not have been
Mao’s choice of footwear, either for a short walk or the long                  march.  You can’t make an omelette
Simply by breaking cheese (nor eggs for that matter).  Curd

Cannot tell the time; sneakers are unsuitable receptacles for old         women and you will find
Neither the Malva neglecta nor any Mukluk in the cylinder head          of a new Mercedes Benz.
Galoshes and cheddar will not fix keyboard problems on any               computer running Windows XP
(Or Vista) and Doc Martens are as effective as half a pound of              Lancashire Mild in winning

The War On Terror.  Wolverine work boots will not play video           cassettes and I’m ashamed to admit
Defeat when it comes to foreplay with Gouda.  Clogs, with or               without
Stilton, cannot eat dogs – and the same can be said for Stilton,             with or without clogs.
And the deaf?  They can’t hear a thing.



Cheese At Midnight? Time To Put My Shoes On


But where is Troy? And where is Thrace, and Thebes?
You speak to me of cheese?
Ah no, my dear, I speak of ancient Greece.

And what of Trebizond, and Samarkand?
A yes, a slice of Irish Desmond.
And who exactly crossed the Rubicund?

A pound of Västerbottensost, you say?
How strange you are tonight. I pray
You, sleep now. But what of Mandelay?

What caravans are on the road to old Bukhara?
Tóin Mór from Connemara?
How strange you are, my love. But tell me, who are

Those Assyrians who come down like wolves on the fold?
Please, my dear, no more Lymeswold.
Those hooded hordes swarming in purple and gold…

I must put on my shoes and say goodnight.
’Tis wondrous cold, but ah! the moon is bright.
Troilus will freeze – shut, shut the door, good John!
Don’t fret, my love, I’ll put my Snøfrisk on.



At The Pictures



I always regret
That I can’t smoke a cigarette
When the bad guy is dead
Or the good guy has just taken a beautiful woman to bed.
It strikes me as a bit wet.

I’m not the sort of bloke
Who carts a bucket of coke
With him to his seat.
Neither do I like to watch films and eat.
But I used to enjoy a smoke.



Sir Robert Walpole: Comfortable Harness Or Straitjacket?



When you consider Corneille, with his alternate masculine and           feminine rhymes,
All in their terrifying alexandrines finely tuned, my guess is
That the poets in those times
Wore the impression of keen stresses
As rubies, ere they’d yield their poetry up to shame.
In this, one may tentatively suggest that poetry is a game,
But one in which the rules
Cannot followèd be by fools.
Only the lonely, those with distemper and the lame,
Would run the risk of rhythm-rage or, worse,
The apology of prosody for verse.
Whereas those for whom poetry is a flame
Quickly learn that fires go out.
Do you feel thus?  Well – there’s no need to pout!
The discipline of titles reminds us all
That meanings sometimes lie too deep for words
And infinity is deceptively small
As the sky must sometimes seem to birds.


Preparations For An Inland Burial

The maid at the funeral parlour offered me tea.
“English Breakfast? Earl Grey? Something nice and herbal?”
I said Darjeeling was what we drank at sea—
Brewed with the boiling briny—sweet memory!
“I’ll get some,” she said—her words were a sorrowful burble.
 
I took a shufti at the corpse. I’d sooner
It hadn’t been wearing its tiddley-suit. The past
Was another ocean, the ship was sinking fast,
And the future was aboard a different schooner;
Another crew, another flag, another mast.



The Trouble With Empathy

She reads me like a book, she says; each twist
And turn she follows with a knowing eye.
She finds her tips too tricky to resist:
Her sensitive antennae never lie.
Like the Hatter analysing Alice,
She furbishes philosophy with farce,
Determined to detect a twist of malice –
But whose reflection through the looking-glass?
The sad-eyed linguist’s certainly well-red,
Impervious to amber or to green;
In spite of what I think I might have said
She always knows exactly what I mean.
     She reads me like a book and likes to quote
     My thoughts; except it’s not the book I wrote.



Men Caught Short

In Casablanca, Gamal Abdel Nasser
Was always more popular than Major Strasser;
Indeed, very few people were more likely to provoke a fight
Than the chap notoriously portrayed by Conrad Veidt.

In Casablanca, many came to wait
And wait… and wait; their uncertain fate
Dependent, as often as not, on a third party,
Called, as often as not, Signor Ugarte.

And very few Casablancans professed themselves to be sorry
At the demise of Peter Lorre
(Though Lorre soi-même made other films.  However,
Ugarte never.)

Another poisonous character—one is reminded of curare—
Was that oleaginous bloke in a fez, Signor ‘Syd’ Ferrari,
Swatting flies in that burdensome heat
As Isla Lund begs at his feet
For a gin and tonic:
            That clip’s iconic!

Other unpopular coves include
Captain Renault, whose curious mood-
Swings injected an electric tension,
And whose few regrets were too few to mention

But who, when it came to the brink,
Brought a well-deserved finis to the fascist fink,
Major Strasser, at the airport—in that scene (a critic notes)
Which is replete with quotable quotes:

    “Round up the usual suspects”—that was one;
    “Louis, I think this is the beginning of a beautiful
           friendship” was another;   
     We’re left wondering, if these two had had a son,
     Who’d have played the father and who the mother.



That’s Not Quite All, Folks!



When I see that Sidney Greenstreet and Peter Lorre
Are in a movie, I'm never sorry;
And when I see Elisha Cook
Is in it too, I say, “I’ll have a look!”

None of these first-class character actors played the main part
Very often. It was usually left to Humphrey Bogart
To supply the grit and glamour. “Play it again, Sam,”
He’d mutter granularly—though he was an honest, cheerful ham

Like the others. You can see he’s having huge
Fun when Lorre appears covered in rouge,
With his hair pomaded and permed, in The Maltese Falcon,
And says his name’s Joel Cairo. He has lashings of gardenia and talc on,

And Bogey, with wry irony, says “Is that so?” and not long after,
Punches him in the face—he can barely conceal his laughter
As he does it. But there's another treat
In store: Kasper Gutman, played by Sidney Greenstreet!

“Look what you did to my shirt,” says Lorre’s Joel,
In a way that Sam Spade finds so droll
That he’s inclined to minister
To Cairo’s needs. Much more sinister

Is Greenstreet’s Gutman: “By Gad, sir, you are a character,”
Says this stout and entertaining racketeer.
“There’s never any telling what you’ll say or do next— ”
He continues, becoming dangerously vexed

When Bogey refuses his increasingly desperate offers
(Cool insolence instead is what he proffers):
“—except that it’s bound to be something astonishing.”
Gutman’s tone soon becomes grimly admonishing.

Elisha Cook, as always, gets knocked about a bit—
Needless to say, his character is a lout, a shit
(Cook specialised in weaselly dead-enders,
Although later, in real life, he was a friend of Wim Wenders).

I never really thought Mary Astor was worth dying for—
Nor did Bogey, who sussed her for a lying whore
Quite early on. He strung her along and even kissed her,
But turned her in happily and never missed her.

 As with so many films of this kind,
The plot’s hard to follow—Oh, it does wind
And twist! But it gives these first class actors employment,
And their performances give me a good deal of enjoyment.

Ending Up


Funny how these men refuse to die. Try as I may,
I can’t get any of them to stand still long enough
To take the bullet, drink the poison, or just say
“Take me, my time has come”. It’s not as if they’re tough

Or that they evince anything like an appetite for life.
They don’t. A more bilious, sickly crew you couldn’t hope to                       meet
In a long day’s march. I tried using a knife
On one man's throat, but he continued to bleat.

I’ve used guns, runaway buses, diseases and even plagues of                     locusts,
But they just laugh in my face: “Haha, we’re still standing!”
I pitched one of them out of an aeroplane (which was somewhat              bogus)
But he contrived a happy landing.

I’ve done everything I can. Buried them alive, bashed them with               heavy hoses,
Even dropped grand pianos on top of them,
But they crawl out every time, smelling of roses.
I wish I could take a flamethrower to the lot of them.



I used to be a Swan Vesta man


I used to be a Swan Vesta man:
You could strike them on a cobbled wall, like Gregory Peck did in        The Guns of Navarone.
But Dan
Bought me a disposable lighter and a mobile phone.
I am not normally given
To standing in front of the mirror and pretending to be David               Niven
But he was in
That film too, as was Anthony Quinn.
Do you remember how it ended, with that explosive mess on
The Mediterranean?  It certainly taught Jerry a lesson!