Drowning A Mermaid
I'm told it's often said by glorious ghosts
Who haunt the Courts of Higher Excellence
That survivors are not like the rest of us:
They survive and we are born to die.
It made no sense to think of you as young
Or of ourselves as three or four times older
Than you would ever be. There was no point
In asking where you learned to paint like that
And if I'm ever asked, I say: From you.
But the virtue of your line was no defence
Against the kind of curiosity
That kills the artist and ignores the art.
The Mark Of Destiny (it has no formal title)
Derives its quasi-mystical authority
From the stealth and anonymity with which
It makes a promise found a promise kept
And steals the gift that makes the promise true.
It made no sense to think of you as young
Until the Mark Of Destiny contrived
To make the child a child celebrity.
It's not enough to work; you must be seen
And if you can't you must be seen to fail.
To go on working once your work is known
Displays an arrogant refusal to engage.
Someone somewhere claimed - or may have claimed
(The source was vague, but the authority
Was unimpeachable) - that you had used
Your age as an excuse for saying nothing
When it was clearly your responsibility
As an artist and a seven-year-old
To speak, when asked, of justice and the world
And of the glory of the Lord our God.
And of the glory of the Lord our God.
My long sabbatical was an opportunity
To swap the squalor of my little shed
For three thousand years of maritime disaster
And a tideless wilderness of dirty water.
I've occupied the best years of my life
Among the wreckage of a world of ships.
The chambermaid has brought a cup of tea
And I'm amazed that I am still alive.
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